Chief Executive Officer of Smids Animation Studios, Dami Solesi, has said that Toontopia, Nigeria’s first and only children’s animation festival, was established to provide a creative home for young storytellers and strengthen children’s connection to African culture through animation and art.
Speaking during the second edition of the festival held at the newly renovated National Theatre, now known as the Wole Soyinka Centre for Arts and Culture, Solesi said the initiative was created to ensure that children see themselves reflected in the stories they consume and are encouraged to become creators rather than passive consumers of content.
Organised by Smids Animation Studios in partnership with the National Theatre, the event attracted more than 250 children, parents and educators and featured workshops, film screenings and interactive experiences designed to nurture creativity, storytelling and digital skills.
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According to Solesi, Toontopia is built around two objectives: exposing children to animation and storytelling from across Africa and providing hands-on learning opportunities that allow them to explore various creative disciplines.
“This year also marks ten years of our summer camps, and whenever we ask children what they are watching, it is rare for them to mention African or Nigerian animations. We believe children should be connected to their history and culture and see themselves represented in the stories they consume. That philosophy is central to everything we do,” she said.
Solesi noted that the festival’s inaugural edition featured productions from Nigeria, Kenya, South Africa and Uganda, adding that the platform continues to expand its continental reach.
Participants took part in digital animation, stop-motion filmmaking, painting, illustration and puppetry workshops, while other attractions included storytelling sessions, reading corners and cultural activities aimed at introducing children to African traditions and languages.
Describing Toontopia as a catalyst for creativity, Solesi said the initiative seeks to inspire children to become active creators.
“We want children to feel seen, heard and supported. There are many young people already drawing, writing stories and creating comics. Toontopia is designed to become a home for the next generation of African storytellers, creators and innovators,” she said.
She disclosed that unlike the maiden edition, this year’s programme was intentionally designed to cater to parents as well, with panel discussions and workshops addressing issues surrounding raising children in the digital age.
“Our lead sponsor, Stanbic IBTC Bank, organised a financial wellness session for parents, while one of the highlights was the panel discussion on Raising Creative Kids in a Digital World. Many parents described it as one of the most meaningful conversations they had participated in,” she said.
Solesi identified overwhelming demand and logistical coordination as some of the major challenges encountered during the organisation of the event, noting that interest from families exceeded the available 250 slots.
Speaking at the event, General Manager and Chief Executive Officer of the National Theatre, Tola Akerele, said children’s programming remains a critical aspect of the institution’s vision.
According to her, the National Theatre is committed to creating opportunities that equip children with creative and practical skills that could influence their future careers.
“It is so important to us because part of our role is to make sure we programme for everyone. Last year we had 70 children, this year we have 200,” she said.
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Akerele said the festival aligns with efforts to position the National Theatre as a centre for innovation, culture and family-oriented experiences. She disclosed that additional children-focused programmes, including a circus festival and a stage adaptation of Tales by Moonlight, are scheduled for later in the year.
Also speaking, Head of Product and Strategy at Stanbic IBTC Bank, Taiwo Ala, said the bank’s support for the initiative reflects its commitment to investing in children and nurturing the country’s creative future.
“It is important that we channel the minds and energy of our children in the right direction. They are here learning skills that can help them compete globally in the future,” he said.
Ala added that Stanbic IBTC views investments in children and creativity as long-term contributions to national development.
